here's one from Seattle,
Oak Tree Cinemas
Seattle Washington
2:30pm show
No snacks or drinks
Arrived too late to see any of the trailers
400 seat theater, had to sit within three rows of the front because it was virtually sold out
First off, I liked Pulp Fiction and Resevoir Dogs. They had very interesting character development, witty dialogue, and although the direction was generally pretty stilted, it was at least enthusiastic, and had some soul to it. KILLB has none of those things.
I think the best way to say it is it is perhaps the most egregiously amateurish film I've ever seen. I'm sure QT's heart was enthusiastically behind it, but his heart is about as polished as KSMIT's or perhaps even Ed Woods. This is a really, really horribly written and directed film. Granted, you have all the allusions to various genres, but that's it. There are no characters to speak of (even the ones where there are attempts at making characters, they turn into previous QT characters, most notably Vivica A. Fox, who borrowed her entire speech pattern directly from Samuel L. Jackson's Jules), no story to enjoy. And the blood? Well, the blood was so fake people were laughing at it, not excited by it.
There are some weird interludes in it which seem to have absolutely no purpose other than they fulfill QT's masturbation quotient for the flick, especially the black and white part of the biggest fight scene, and the animated "origins of O-Ren" part. Some incredibly laughable moments, and I don't think they were intentional because the film was so obviously trying to be a loving homage.
If you love really stupid violence that doesn't even look like real violence, if you like seeing incredible amounts of fake blood (emphasis on the fake, because none of it looks remotely good), and enough "cricket moments" (so dumb that you'll hear the crickets chirping), then this is the film for you. You'll have more fun laughing at how poor a director QT is than you will watching the movie, which seems to drag on with endless asides and flashes. You know it's bad when people, in the middle of the film, interject loudly "god, that was stupid!"
That said, it has a fascination like watching a train wreck. You can't quite make yourself leave, if only because you want to see how stupid the film can possibly get. And the buzz is certainly there, as is evidenced by the largest crowd I've ever seen for an early showing at this theater, and the manager told me presales were far higher than for any film since the summer high season.
In other words, it looks pretty darned long from here.