The Accouintant
*Continued from post above
Here's the trailer to the original, Unbreakable, for those who never saw it
‘. You were close, going to take 25 years to see this sequel.A prequel to Gladiator.
‘. You were close, going to take 25 years to see this sequel.
Gladiator 2’: Ridley Scott’s Sequel Takes Place Over Two Decades After Original
The original report on “Gladiator 2” mentioned the sequel would focus on Lucius, the son of Connie Nielsen’s character Lucilla from Scott’s original film. Lucius is the nephew of Joaquin Phoenix’s Commodus, the Roman leader killed by Russell Crowe’s Maximus. Crowe’s character died at the end of the first movie and will not be a driving force in the sequel, but Maximus’ presence will be felt as he an inspirational figure for Lucius.
Did you see one of the ideas pitched for a Gladiator 2 sequel? It would have been bonkers.
https://www.bbc.com/culture/article/20180810-gladiator-2-was-written-and-its-mad
Cave’s Gladiator 2 screenplay opens with Maximus waking up in the afterlife. To his disappointment, it isn’t the sun-kissed Elysium he dreamt of in Gladiator, but an endless rain-sodden netherworld where wretched refugees huddle on the shores of a black ocean. With the help of a ghostly guide, Mordecai, Maximus treks to a ruined temple where he meets Jupiter, Mars and five other diseased and decrepit Roman deities. Jupiter explains that one of their number, Hephaestus, has betrayed them, and is now preaching the gospel of another god who is more powerful than all of them. Just to quibble for a moment, Hephaestus is a Greek god, not a Roman one, so Cave should really have named him Vulcan. But the screenplay compensates for this slip with some writing to relish.
“He is an agitator,” say Jupiter of Hephaestus. “He squeezes the bellows of dissent... a little wind... a mere puff... but within it the presage of pandemonium. Am I making myself clear?”
“No,” says Maximus.
Jupiter offers him a deal: if he kills Hephaestus, then he will be reunited with his wife and son in the golden wheat fields of Elysium. It may sound like the premise of a Terry Gilliam film or a Neil Gaiman graphic novel, rather than a blockbuster sequel, but Cave’s Orphean adventure sort of makes sense. All through Gladiator, Maximus longs to see his family again, so there is a certain logic to a plot which keeps that longing alive, even when the person doing the longing isn’t. Once you adjust your expectations, you can settle in and enjoy Gladiator 2 for the supernatural quest movie that it is.
To hell and back
But then, suddenly, it isn’t. No sooner has Maximus tracked down Hephaestus than he is zapped out of the stygian gloom and into the world of flesh and blood, a decade or two after his death. Human again, he travels to Rome in search of his son Marius: did I mention that Marius, who was crucified and burnt to death in Gladiator, is alive and kicking in Gladiator 2?
At this stage, the script focuses on a band of early Christians dodging the Roman authorities, just as they did in the recent Mary Magdalene biopic which co-starred Phoenix. But these scenes also bring back some of the characters and political intrigue from Gladiator. As well as meeting his now-adult son, Maximus bumps into his old sidekick Juba (who was played in the original film by Djimon Hounsou). And the screenplay’s villain is none other than Commodus’s mild-mannered nephew, Lucius, now grown up to be as evil as his uncle. More importantly, Gladiator 2 revisits the Colosseum, where the emperor watches a mock naval battle in an amphitheatre which is flooded with water and stocked with 100 alligators: a comment, perhaps, on the need for sequels to be bigger and more spectacular than their predecessors.Everything leads to a showdown between Lucius’s Roman enforcers and the Christian resistance army which Maximus and Juba have been training in secret. And then what? Another chat with the Roman Gods? A family reunion in sunny Elysium? Well, no. Instead, Cave has Maximus striding into battle through the centuries: in the Crusades, in the World Wars, in Vietnam, and finally in the Pentagon, in a grander version of the opening montage of X-Men Origins: Wolverine. The message is that by choosing armed combat over non-violent resistance, Maximus has condemned humanity to an eternal cycle of bloodshed, which is a thought-provoking conclusion, but maybe not a crowd-pleasing one. Crowe’s reaction, according to Cave, was simple: “Don’t like it, mate.”